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Vous avez sélectionné:
EASY DOING
Chorale SATB
Partitions à imprimer
7 partitions trouvées
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1
What Are You Doing New Year's Eve?
What Are You Doing New Year's Eve?
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Chorale SATB
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INTERMÉDIAIRE
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Frank Loesser
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Julie Hinton
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What Are You Doing New Year's
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Red Tape Productions
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1270169 Composed by Frank Loesser. Arranged by Julie Hinton. 20th Century,Holiday,Jazz,Standards. Octavo. 9 page...
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Choral Choir (SATB) - Level 3 - SKU: A0.1270169 Composed by Frank Loesser. Arranged by Julie Hinton. 20th Century,Holiday,Jazz,Standards. Octavo. 9 pages. Red Tape Productions #862600. Published by Red Tape Productions (A0.1270169). SATB with solo and piano accompaniment. This jazzy version features a soprano solo, and the choir comes in as backup. After a piano interlude, the choir takes over with Auld Lang Syne, later singing it in counterpoint to the What Are You Doing soloist. Great for high school and community choirs, and as a performance piece for jazz soloists. Chords included so adding a band is easy!
$2.25 ≈
2.10€
Linger
Linger
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Chorale SATB
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FACILE
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The Cranberries
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Jay Dougherty
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Linger
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Jay Dougherty
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.1281266 By The Cranberries. By Dolores O'Riordan and Noel Hogan. Arranged by Jay Dougherty. A Cappella,Ce...
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Choral Choir (SATB divisi) - Level 2 - SKU: A0.1281266 By The Cranberries. By Dolores O'Riordan and Noel Hogan. Arranged by Jay Dougherty. A Cappella,Celtic,Contemporary,Irish,Rock,Singer/Songwriter. Octavo. 14 pages. Jay Dougherty #872610. Published by Jay Dougherty (A0.1281266). This hit song by Irish alternative rock band the Cranberries is from their 1993 debut studio album, Everybody Else Is Doing It, So Why Can't We? This arrangement is written for SSAATB+solo a cappella (7 total parts) by Jay Dougherty. The simple bass line and repeating verses and chorus make for an easy learn. It will be accessible to most a cappella ensembles.Note that there is a 10-copy minimum purchase. If you have fewer than 10 singers in your ensemble, you're still getting a great price for a great song by purchasing the rights to 10 copies.Learning tracks are available at www.jmdougherty.comFor more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$2.49 ≈
2.32€
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.33€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
27.99€
Lift High the Cross (Downloadable Choral Score)
Lift High the Cross (Downloadable Choral Score)
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Chorale SATB
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Michael Burkhardt
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Lift High the Cross
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, congregation, organ, brass quartet, timpani, optional handbells - Moderately Easy to Medium - SKU: MQ.60-6001A-E Composed by Michael Burkhar...
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SATB choir, congregation, organ, brass quartet, timpani, optional handbells - Moderately Easy to Medium - SKU: MQ.60-6001A-E Composed by Michael Burkhardt. Holy Week. 5 pages. MorningStar Music Publishers - Digital Sheet Music #60-6001A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6001A-E). Majestic setting of CRUCIFER. Rhythmic accents punctuate march-like music and militaristic/crusader text. Choir sings stanza 4 SATB, with choir trebles doing a 6/8 stanza 3. Organist plays from Full Score.
$1.10 ≈
1.03€
Glory to God (Gloria)
Glory to God (Gloria)
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Chorale SATB
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INTERMÉDIAIRE
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Bertold Hummel
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Glory to God
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - intermediate - SKU: S9.Q18957 Motet for mixed choir (SATB) a cappella. Composed by Bertold Hummel. This edition: choral score. Scho...
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Mixed choir - intermediate - SKU: S9.Q18957 Motet for mixed choir (SATB) a cappella. Composed by Bertold Hummel. This edition: choral score. Schott Choral Music. Downloadable, choral score. Duration 6 minutes. Schott Music - Digital #Q18957. Published by Schott Music - Digital (S9.Q18957). German • English.When it was possible to celebrate the Catholic Mass in the German language as well, Bertold Hummel wrote his motet Ehre sei Gott for mixed four-part choir. This piece is a 'German gloria' and can be performed liturgically in a Mass. Hummel follows traditional examples: The text, full of contrasts, is redesigned – sentence by sentence – with new musical ideas. In doing so, he reveals his extraordinary ability to write easy-to-sing music of high quality which delights choirs and listeners alike. The six-minute piece was premiered at the Cathedral of Würzburg. The present new edition also contains a singable translation in English.
$5.99 ≈
5.59€
Call to Praise (Downloadable)
Call to Praise (Downloadable)
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Chorale SATB
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FACILE
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Raymond H Haan
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Call to Praise
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, keyboard - Moderately Easy - SKU: MQ.50-7051-E Composed by Raymond H Haan. Lent, Thanksgiving. Instrument parts. 6 pages. MorningStar Music ...
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SATB choir, keyboard - Moderately Easy - SKU: MQ.50-7051-E Composed by Raymond H Haan. Lent, Thanksgiving. Instrument parts. 6 pages. MorningStar Music Publishers - Digital Sheet Music #50-7051-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7051-E). Written in a classical style, this bright and happy anthem is useful as a choral call to worship or anthem of praise. Both accompaniment and choral parts are vigorous and assertive, reflecting the call to Praise Him for His wondrous doings. The repeated chords and the running passages of the accompaniment provide an energetic background for the easy choral parts. Accompaniment may be played by Organ or Piano. Particularly useful in connection with Psalm 95, Third Sunday of Lent, Year ARevised Common Lectionary.
$1.50 ≈
1.40€
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